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Black Rap, Volume 2 no. 1 (Revised)
This is a revised version of the Volume 2 Number 1 issue of Black Rap. It has one extra page that brings together an image from pages 4 and 5. The image is of a brain, set directly in the center of the two pages.
Black Rap, Volume 1 no. 6 (March 16, 1969)
This issue of Black Rap explores the lives of African Americans through a serious of different types of poetry, prose, and hard hitting news clips.
Black Rap, Volume 1 no. 5 (February 19, 1969)
This issue of Black Rap discusses issues involving the state of mind of African Americans, the longevity of their activist movements, and their place in an ever changing world. These pieces are accompanied by several others, and then preceded by…
Black Rap, Volume 1 no. 3 (November 6, 1968)
This is the third issue of Black Rap, from late 1968 (mention of "X-mas" gifts). This was the first full semester for Lake Forest College after the assassination of minority Civil Rights leader Dr. Martin Luther King in April of 1968, the…
Black Rap, Volume 1 no. 1 (1968)
This is the first issue of Black Rap. It discuses in depth the beauty of the Black race, what it means to be Black, and having a strong sense of Black identitiy. These messages are all conveyed through the means of poetry, prose, and short…
Black Rap 1968
This is the first official issue of Black Rap. It includes no issue or volume number. This first issue was constructed by the Black freshman class of 1968. This issue explores the Black college student's perspective on the progress of the Black race,…
Bookplate for Anne Barnett, by Blackburn.
A bookplate for Anne Barnett, designed by Blackburn.
Deerpath Hall Lounge
Seven people sitting in a room with a coffee table, chairs, and couches. Each individual seems to be engaged in either a conversation or reading something. A Shoji Screen is present in the background.
The women's residence hall lounge (Naess &…
The women's residence hall lounge (Naess &…
Bookplate for Frank, Mary, and Hugh Gibson, by Carl Oscar Bory
This is a bookplate for Frank, Mary, and Hugh Gibson, engraved by Carl Oscar Bory. It is part of the Asmann-Anthony collection.